Rayner Hoff and his school at East Sydney Technical College were central to sculptural practices during the inter-war period. Hoff aimed for an Australian version of classicism in art and used the body as a primary metaphor for a modern Australian identity. Using the classical perfections of the ancient Greek model, the body was imaged as a virile product of the nation's outdoor environment as exemplified by Australian Venus. As a teacher Hoff was highly influential on a generation of sculptors, which included Jean Broome-Norton, Marjorie Fletcher, Lyndon Dadswell and Barbara Tribe.